J o r da nDy k s t r a eNe u t r a l Ma s k f o rs t r i ngqua r t e t 2 0 1 6
Ta c e t( 0: 00-0: 15) Sy nc i ngo fs t o p wa t c h e s . “ I mb r i c a t i o n ”( 0: 15-4: 15) 1)Dy na mi c ss ho ul dbel o wt hr o ug ho utwi t hl o ng , s t a g g e r e dbo wc ha ng e sa ndnov i br a t o . “ Ne i t he rc o me d y , no rt r a g e d y ”( 4 : 15-6 : 15 ) 1)Dy na mi c ss ho ul dbel o wt hr o ug ho utwi t hl o ng , s t a g g e r e dbo wc ha ng e sa ndnov i br a t o . 2)So l i dho r i z o nt a ll i nei ndi c a t e ss us t a i n. 3)So l i dv e r t i c a ll i nei ndi c a t e suni s o ne nt r a nc e . 4)Br o k e nv e r t i c a ll i nei ndi c a t e suni s o ne x i t . Ta c e t( 6: 15-6: 30) Sl i g h tp a u s e , p a g et u r n. “ Dua l d ue t s ”( 6: 30-1 5: 00) 1)Dy na mi c ss ho ul dbeme di um t hr o ug ho utwi t hl o ng , s t a g g e r e dbo wc ha ng e sa ndnov i br a t o . 2)Us et heg r a phi ca sapr i ma r ya i dt ot hebul l e tpo i nti ns t r uc t i o ns . 3)Ea c he nt r ya nde x i tpo i ntf o rDue t2s ho ul dbeg e nt l ea nduna c c e nt e d. 4)Asas e c o nda r yo pt i o n, a na l t e r na t ev e r s i o no f“ Du e l d u e t s ”whi c hi nc l ude ss t a nda r dno t a t i o na ndc e ntde v i a t i o nsha sbe e na dde d. 02/ 2016, u p d a t e d05/ 2016
e Neutral Mask Composed for a performance by e Formalist Quartet at e California Institute of the Arts on February 29, 2016.
Jordan Dykstra, 2016 Imbrication (0:15-4:15)
0:15 - 0:35
0:00 - 0:15 Violin I
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J o r da nDy k s t r a : eNe u t r a l Ma s k , “ Dua ldue t s ”
X.1 1 : 0 0-1 1 : 3 0( 3 0 ” ) Due t1 : Gl i s sup wa r df r o m C# 5 4 3 ct oD# 5 4 9 c( 5 4 0 6 0 4 Hz ) . Due t2 : Ta c e t . Due t1: Vi o l i nI . ( bl ue )& Vi o l i nI I . ( o r a ng e ) XI .1 1 : 3 0-1 2 : 4 5( 7 5 ” ) I nu ni s o n, as t e a d yg l i s s a nd of r o mB3t oB5( 2 4 7 9 8 8 Hz ) . Due t1 : Gl i s sup wa r df r o m D# 5 4 9 ct oF# 5 3 1 c( 6 0 4 7 2 5 Hz ) . Due t2: Vi o l a( g r e e n)& Vi o l o nc e l l o( r e d) Due t2 : Wi t ho utpa us e , I nu ni s o n, ap l a y f u l i nt e r a c t i o nwi t hDu e t1 ’ sg l i s s a nd o . 1 . Gl i s sapa r a l l e l e ds e mi t onea bov eDue t1f o r1 0 ” , t he n I .6: 30-6: 50( 20” ) 2 . Gl i s sd o wnwa r df o r1 0 ”a ndl a ndo nas e mi t onebe l owDue t Due t1: Gl i s sup wa r df r o m B3t oC4 + 2 5 c( 2 4 7 2 6 5 Hz ) . 1 , t he n Due t2: Gl i s si nuni s onwi t hDue t1 . 3 . Gl i s sapa r a l l e l e ds e mi t onebe l owDue t1f o r1 0 ” , t he n I I .6: 50-7: 00( 10” ) 4 . Gl i s sup wa r df o r1 0 ”a ndl a ndo nas e mi t onea bov eDue t1 , Due t1: Gl i s sup wa r df r o m C4 +25ct oC# 4 1 7 c( 2 6 5 2 7 4 Hz ) . t he n Due t2: Ta c e t . 5 . Gl i s sapa r a l l e l e ds e mi t onea bov eDue t1f o r1 0 ” , t he n I I I .7: 00-7: 50( 50 ” ) 6 . Gl i s sd o wnwa r df o r1 0 ”a ndl a ndo nas e mi t onebe l owDue t Due t1: Gl i s sup wa r df r o m C# 417ct oD# 4 + 1 3 c( 2 7 4 3 1 3 Hz ) . 1 , t he n Due t2: Wi t ho utpa us e , 7 . Gl i s sapa r a l l e l e ds e mi t onebe l owDue t1f o r1 5 ” . 1. Gl i s sapa r a l l e l e ds e mi t onea bov eDue t1f o r2 0 ” , t he n XI I .1 2 : 4 5-1 3 : 0 0( 1 5 ” ) 2. Gl i s sd o wnwa r df o r1 0”a ndl a ndo nas e mi t onebe l owDue t Due t1 : Gl i s sup wa r df r o m F# 5 3 1 ct oG5 2 5 c( 7 2 5 7 7 1 Hz ) . 1, t he n Due t2 : Ta c e t . 3. Gl i s sapa r a l l e l e ds e mi t onebe l owDue t1f o r2 0 “ . XI I I .1 3 : 0 0-1 3 : 2 0( 2 0 ” ) I V.7: 50-8: 10( 20” ) Due t1 : Gl i s sup wa r df r o m G5 2 5 ct oG# 5 + 1 0 c( 7 7 1 8 3 3 Hz ) . Due t1: Gl i s sup wa r df r o m D# 4+13ct oE4 2 2 c( 3 1 3 3 2 5 Hz ) . Due t2 : Gl i s sapa r a l l e l e dwhol et onea bov eDue t1f o r2 0 ” . Due t2: Ta c e t . V.8: 10-8: 55( 45” ) Due t1: Gl i s sup wa r df r o m E422ct oF# 4 + 2 1 c( 3 2 5 3 7 4 Hz ) . Due t2: Wi t ho utpa us e , 1. Gl i s sapa r a l l e l e ds e mi t onea bov eDue t1f o r2 5 ” , t he n 2. Gl i s sd o wnwa r df o r2 0” , e x i t i ngo nane ut r a l t hi r dbe l ow Due t1. VI .8: 55-9: 05( 10” ) Due t1: Gl i s sup wa r df r o m F# 4+21ct oG4 1 1 c( 3 7 4 3 8 9 Hz ) . Due t2: Ta c e t . VI I .9: 05-9: 45( 40 ” ) Due t1: Gl i s sup wa r df r o m G411ct oA4 + 5 c( 3 8 9 4 4 1 Hz ) . Due t2: Wi t ho utpa us e , VI I I . 1. Gl i s sapa r a l l e l e ds e mi t onebe l owDue t1f o r2 5 ” , t he n VI I . 2. Gl i s sup wa r df o r15” , e x i t i ngo nane ut r a l t hi r da bov eDue t1 . I X. V. I V. VI I I .9: 45-10: 00( 15” ) VI . I I I . Due t1: Gl i s sup wa r df r o m A4+5ct oA# 4 3 7 c( 4 4 1 4 5 6 Hz ) . I I . I . Due t2: Ta c e t . I X.10: 00-11: 00( 60” ) Due t1: Gl i s sup wa r df r o m A#437ct oC# 5 4 3 c( 4 5 6 5 4 0 Hz ) . Due t2: Gl i s sup wa r df r o m awhol et onebe l owDue t1 , findi nga mo me nt a r y4 pa r tuni s ona t1 0: 30, a nde x i to nawhol et one a bov eDue t1.
XI V.1 3 : 2 0-1 3 : 4 0( 2 0 ” ) Due t1 : Gl i s sup wa r df r o m G#5+10ct oA5+14c( 833885Hz ) . Due t2 : Gl i s sapa r a l l e l e ds e mi t onea bov eDue t1f o r20” . XV.1 3 : 4 0-1 4 : 0 0( 2 0 ” ) Due t1 : Gl i s sup wa r df r o m A5 +14ct oA#56c( 885927Hz ) . Due t2 : Gl i s si nuni s onwi t hDue t1f o r20” . XVI .1 4 : 0 0-1 4 : 3 0( 3 0 ” ) Due t1 : Gl i s sup wa r df r o m A# 56ct oB5( 927988Hz ) . Due t2 : Wi t ho utpa us e , 1 . Gl i s sapa r a l l e l e ds e mi t onebe l owDue t1f o r15” , t he n 2 . Gl i s sup wa r df o r1 5 ”a ndl a ndo nane ut r a l t hi r da bov e Due t1 . XVI I . 1 4 : 3 0~1 5 : 0 0( ~ 3 0 ” ) Due t1 : Wi t ho utpa us e , 1 . Sus t a i nB5( 9 8 8 Hz )f o r1 5” , t he n 2 . Fa det os i l e nc eov e r1 5 ” . Due t2 : Se pa r a t e l ya ndwi t ho nel o ngbo wpe rg e s t ur e , s we l l dy na mi c a l l yo nane ut r a l t hi r da bov eDue t1( whi l et hee nd o ft hepi e c ene e dn ’ tha ppe na te x a c t l ya t15: 00, y o url a s tbo w wi l lbe g i ns ho r t l ybe f o r et he15: 00ma r k ) . fin.
XVI I .
X.
XI .
XI I I . XV. XI I . . XI V. XVI
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