QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (BFI MODERN CLASSICS) FROM BRAND: BRITISH FILM INSTITUTE
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QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (BFI MODERN CLASSICS) FROM BRAND: BRITISH FILM INSTITUTE PDF
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From the Back Cover Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts most of cinema to shame. Quality Popular Television looks at this new category of 'cult' television (mostly US-produced) and the reasons for its emergence. Looking at shows as diverse as Ally McBeal, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen the book examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. This important new book provides an invaluable window on transformations in contemporary television culture. About the Author Mark Jancovich is Reader and Director of the Institute of Film Studies at the University of Nottingham. James Lyons is a lecturer in film at the University of Exeter. He is the author of John Sayles: Independence, Integrity and the Borders of Identity (co-written with Mark Jancovich, in Yvonne Tasker, ed, Fifty Contemporary Film Makers) and a member of the editorial advisory board of Scope: An Online Journal of Film Studies.
QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (BFI MODERN CLASSICS) FROM BRAND: BRITISH FILM INSTITUTE PDF
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QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (BFI MODERN CLASSICS) FROM BRAND: BRITISH FILM INSTITUTE PDF
Why are some contemporary television shows so compelling? Looking at shows as diverse as "Ally McBeal", "Buffy the Vampire Slayer" and "Star Trek" it examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling. ● ● ● ● ● ● ● ● ●
Sales Rank: #3312121 in Books Brand: Brand: British Film Institute Published on: 2008-02-27 Released on: 2008-03-04 Original language: English Number of items: 1 Dimensions: 9.00" h x 1.00" w x 6.00" l, .88 pounds Binding: Paperback 215 pages
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From the Back Cover Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts most of cinema to shame. Quality Popular Television looks at this new category of 'cult' television (mostly US-produced) and the reasons for its emergence. Looking at shows as diverse as Ally McBeal, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen the book examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. This important new book provides an invaluable window on transformations in contemporary television culture. About the Author Mark Jancovich is Reader and Director of the Institute of Film Studies at the University of Nottingham. James Lyons is a lecturer in film at the University of Exeter. He is the author of John Sayles: Independence, Integrity and the Borders of Identity (co-written with Mark Jancovich, in Yvonne Tasker, ed, Fifty Contemporary Film Makers) and a member of the editorial advisory board of Scope: An Online Journal of Film Studies. Most helpful customer reviews 5 of 5 people found the following review helpful.
A better-than-average anthology of the latest television criticism By Robert Moore The perfect anthology does not exist, either because not every contribution to a collection comes up to the standard of the finest essays or not every essay appeals to the interest of the reader. Nonetheless, this group of recent essays on the current state of television is an above average collection. Only one essay is truly awful, while most or all of the others will appeal to most general readers. The loose concept around which the essays are constructed is that of "Must See TV." The editors did not dictate what each writer was to understand by that concept, though for the most part the writers choose to ignore the NBC understanding of what many television wags have called "must flee" television, i.e., the NBC Thursday night line up of shows that command a large popular viewership but that are usually not among the most critically acclaimed shows on TV. Some of the writers understand by the term shows such as BUFFY THE VAMPIRE SLAYER or THE X-FILES, which some in the industry refer to as "appointment" television, shows around which fans structure their entire week in order to watch. Others focus on prime time shows perceived as ratings successes. In most instances the writers, whether writing in England, the United States, or Australia, focus primarily on Hollywood produced shows. The collection is fairly distributed between articles that focus on various aspects of the television industry and articles that focus on specific television shows. For instance, we get articles that talk about the effects of deregulation in the United States in the last twenty-five years has impacted the medium, the role that the media producers play in fostering and interacting with fandom, and the production of mini-series. Specific shows receive special attention, including BUFFY THE VAMPIRE SLAYER (in one of the best essays in the collection by Lisa Parks, about what the show had to say about violence in the wake of the Columbine killings, which caused the postponement of two of BUFFY's episodes), STAR TREK: THE NEXT GENERATION, MARTIAL LAW, ELLEN, and THE ADVENTURES OF LOIS AND CLARK. These essays are written from a variety of perspectives. Only one did I find completely without value. The essay "'Must See TV': Programming Identity on NBC Thursdays" embraced many of the worst aspects of much cultural criticism, most significantly that of metaphoric reduction, i.e., taking the straightforward meaning of various shows and metaphorically reinterpreting them to get at a deeper or more real or hidden meaning. It takes very much a "queer" reading of things, but that isn't the problem; distorting the texts into readings that the original artifacts could not support is. There has always been a tendency among some variants of academic writing to delve into occult readings of texts. A "queer" approach certainly doesn't require this and, indeed, later in the collection is an essay on the difficulties attending queerness in ELLEN that is one of the most interesting articles in the volume. I have always subscribed to the theory that informed James Agee's luminous film reviewing of the forties and fifties that a review should plunge you into the text--whether book, movie, or TV show-instead of the text about the text. Any reading that reduces some cultural artifact into something else entirely is virtually always wrong. That one caveat aside, this is a very fine collection. Each article also comes with helpful bibliographies that will aide the reader in any future reading in the same field. See all 1 customer reviews...
QUALITY POPULAR TELEVISION: CULT TV, THE INDUSTRY AND FANS (BFI MODERN CLASSICS) FROM BRAND: BRITISH FILM INSTITUTE PDF
Well, when else will you discover this possibility to obtain this publication Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute soft data? This is your good chance to be right here as well as get this wonderful publication Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute Never leave this publication prior to downloading this soft data of Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute in web link that we provide. Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute will truly make a great deal to be your buddy in your lonesome. It will certainly be the best companion to boost your business and hobby. From the Back Cover Why are some contemporary television shows so compelling? The Sopranos, Buffy the Vampire Slayer, Friends and ER are examples among many of a new era of the 'must-see' programme. These shows and others like The X-Files and Ally McBeal, have a compulsiveness, a depth of characterisation and 'back-story' that puts most of cinema to shame. Quality Popular Television looks at this new category of 'cult' television (mostly US-produced) and the reasons for its emergence. Looking at shows as diverse as Ally McBeal, Martial Law, Buffy, Lois and Clark, Star Trek: The Next Generation and Ellen the book examines the particular qualities necessary for success and how they relate to issues such as the economics of network scheduling, the growth of the internet and contemporary debates about television audiences. This important new book provides an invaluable window on transformations in contemporary television culture. About the Author Mark Jancovich is Reader and Director of the Institute of Film Studies at the University of Nottingham. James Lyons is a lecturer in film at the University of Exeter. He is the author of John Sayles: Independence, Integrity and the Borders of Identity (co-written with Mark Jancovich, in Yvonne Tasker, ed, Fifty Contemporary Film Makers) and a member of the editorial advisory board of Scope: An Online Journal of Film Studies.
Don't bother if you don't have adequate time to head to guide establishment and look for the preferred e-book to review. Nowadays, the on the internet publication Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute is concerning offer ease of checking out routine. You may not need to go outdoors to look the book Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute Searching as well as downloading and install guide entitle Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute in this write-up will certainly provide you much better remedy. Yeah, online publication Quality Popular Television: Cult TV, The Industry And Fans (BFI Modern Classics) From Brand: British Film Institute is a sort of electronic e-book that you can obtain in the link download supplied.
