1

Maneuver Workshop: Cutting Bibliography Minding Making Project July 2017 Clothing Manufacturing Aldrich, Winifred. “Tailors’ Cutting Manuals and the Growing Provision of Popular Clothing 1770-1870.” Textile History 31, no. 2 (2000): 163–201. Cowling, Elizabeth. “The Fine Art of Cutting: Picasso’s Papiers Collés and Constructions in 1912-14.” Apollo 142, no. 405 (1995): 10–18. Matthews David, Alison Victoria. “Cutting a Figure: Tailoring, Technology and Social Identity in Nineteenth-Century Paris.” Ph.D., Stanford University, 2002. http://search.proquest.com.ezpprod1.hul.harvard.edu/docview/305523595/abstract/28B6CB9EE4504FA2PQ/1. CRISPR Butler, Kathy. “Reviews of Science for Science Librarians: CRISPR-Cas9 Revolutionizes Gene Editing.” Science & Technology Libraries 35, no. 3 (July 2, 2016): 221–27. https://doi.org/10.1080/0194262X.2016.1208135. Doudna, Jennifer A. A Crack in Creation: Gene Editing and the Unthinkable Power to Control Evolution. Boston: Houghton Mifflin Harcourt, 2017. Gottesman, Susan. “Dicing Defence in Bacteria.” Nature 471 (March 31, 2011): 588–89. Guerrini, Christi J., Margaret A. Curnutte, Jacob S. Sherkow, and Christopher T. Scott. “The Rise of the Ethical License.” Nature Biotechnology 35, no. 1 (January 2017): 22–24. https://doi.org/10.1038/nbt.3756. Kozubek, Jim. Modern Prometheus: Editing the Human Genome with Crispr-Cas9. Cambridge: Cambridge University Press, 2016. Olson, Steven (Of National Research Council (U S. ) Committee on Science. International Summit on Human Gene Editing: A Global Discussion : Meeting in Brief : December 1-3, 2015. [Washington, D.C.]: National Academies Press, 2016. http://nrs.harvard.edu/urn3:hul.ebookbatch.GEN_batch:167813020160930. Sontheimer, Erik J., and Luciano A. Marraffini. “Slicer for DNA.” Nature 468 (November 2010): 45–46. Film/Video Editing (JR has more on this!!!) Bouzereau, Laurent. The Cutting Room Floor. Secaucus, N.J.: Carol Pub, 1994. Burder, John. 16mm Film Cutting. Media Manuals. New York NY: Routledge, 1975. http://nrs.harvard.edu/urn-3:hul.ebookbatch.SAFAR_batch:9781136045691. Hullfish, Steve. Art of the Cut: Conversations with Film and TV Editors. New York: Routledge, 2017. http://nrs.harvard.edu/urn-3:hul.ebookbatch.SAFAR_batch:9781315297118. Kunkle, Sheila. Cinematic Cuts: Theorizing Film Endings. SUNY Series, Insinuations. Albany: State University of New York Press, 2016.

2 General Readings Atkins, Tony. The Science and Engineering of Cutting: The Mechanics and Processes of Separating, Scratching and Puncturing Biomaterials, Metals and Non-Metals. Elsevier Science, 3. Barraclough, K. C. “Cutting Tools: From Flint to Laser.” Metals and Materials 5 (1989): 701– 13. Baxandall, Michael. “Material.” In The Limewood Sculptors of Renaissance Germany, 27–49. New Haven: Yale University Press, 1980. Burnett, D. Graham, and Christopher Turner. The Slice: Cutting to See. London: Architectural Association School of Architecture, 2010. http://www.cabinetmagazine.org/events/TheSlice_Catalogue_AASchool_2010.pdf. “Cut, v.” OED Online. Oxford University Press, June 2017. http://www.oed.com.ezpprod1.hul.harvard.edu/view/Entry/46341?rskey=yKlp73&result=4&isAdvanced=false. Hunter, Matthew C. “Knives Out.” In Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London, 68–97. University of Chicago Press, 2013. https://doi.org/10.7208/chicago/9780226017327.001.0001. Ingold, Tim. “Walking the Plank: Meditations on a Process of Skill.” In Being Alive: Essays on Movement, Knowledge and Description, 51–62. London: Routledge, 2011. Krauss, Rosalind. “Stieglitz/‘Equivalents.’” October 11 (1979): 129–40. https://doi.org/10.2307/778239. Krumdieck, Carlos L. “Development of a Live Tissue Microtome: Reflections of an Amateur Machinist.” Xenobiotica 43, no. 1 (January 2013): 2–7. https://doi.org/10.3109/00498254.2012.724727. Lewis, Paul. Manual of Section. New York: Princeton Architectural Press, 2016. Lui, Claire. “Running with Scissors.” Print 63, no. 5 (October 2009): 42–47. Saunders, Barry F. “Cutting.” In CT Suite: The Work of Diagnosis in the Age of Noninvasive Cutting, 93–129. Durham: Duke University Press, 2008. Vorotyntseva, M. I., and Yu F. Kabatov. “Classification and Terminology of Medical Cutting Instruments.” Biomedical Engineering 4, no. 1 (1970): 10–13. Yong, Ed. “Scientists Can Use CRISPR to Store Images and Movies in Bacteria.” The Atlantic, July 12, 2017. https://www.theatlantic.com/science/archive/2017/07/scientists-can-usecrispr-to-store-images-and-movies-in-bacteria/533400/. Microtomy Dingledine, Raymond. Brain Slices. New York: Plenum Press, 1984. Hopwood, Nick. “‘Giving Body’ to Embryos: Modeling, Mechanism, and the Microtome in Late Nineteenth-Century Anatomy.” Isis 90, no. 3 (1999): 462–96. Krumdieck, Carlos L. “Development of a Live Tissue Microtome: Reflections of an Amateur Machinist.” Xenobiotica 43, no. 1 (January 2013): 2–7. https://doi.org/10.3109/00498254.2012.724727. Lee, Arthur Bolles. The Microtomist’s Vade-Mecum: A Handbook of the Methods of Microscopic Anatomy. J. and A. Churchill, 1896. Steedman, H. F. Section Cutting in Microscopy. Oxford: Blackwell, 1960.

3 Misc Bindman, David. “Edouard Manet, ‘Les Gitanos’, and the Cut Canvas.” The Burlington Magazine 112, no. 804 (1970): 153–159. Dake, H. C. The Art of Gem Cutting, Complete. Portland, OR: Mineralogist publishing company, 1945. Evans, John. “Horological Wheel-Cutting by Mechanical Means: An Early Reference and Some Further Notes.” Antiquarian Horology and the Proceedings of the Antiquarian Horological Society 24, no. 6 (1999): 551–55. Fer, Briony. “The Cut.” In On Abstract Art, 42–107. New Haven and London: Yale University Press, 1997. http://isites.harvard.edu/fs/docs/icb.topic1464332.files/Oct%2030%20Abstraction%20/FerTh eCut.pdf. Guillerme, Jacques, Hélène Vérin, and Stephen Sartarelli. “The Archaeology of Section.” Perspecta 25 (1989): 226–57. https://doi.org/10.2307/1567147. Guillet, Peter. Timber Merchant’s Guide: Also, a Table, Whereby, at One View, May Be Seen the Solid and Superficial Measure of Any Square or Unequal Hewed Logs or Plank, from One to Forty-Seven Inches : Also, Plates Representing the Figures of the Principal Pieces of Timber, Used in Building a Seventy-Four Gun Ship of the Line, in Standing Trees. Goldsmiths’-Kress Library of Economic Literature ; No. 23826.4. Baltimore: JLovegrove, 1823. http://nrs.harvard.edu/urn-3:hul.ebookbatch.MOME_batch:U104509858. Hougue, Clémentine. Le cut-up de William S. Burroughs: histoire d’une révolution du language. Ecart absolu. Dijon: Presses du réel, 2014. Howard, James Henri. Cut-Outs: Native American Art. Contributions in Anthropology and Literature ; No. 2. Milwaukee: Milwaukee Public Museum, 1982. Howes, Philip. “Cutting Away-Milling Metal Forms.” In Material Matters: New Materials in Design. London: Black Dog Publishing, 2012. Krauss, Rosalind. “Stieglitz/‘Equivalents.’” October 11 (1979): 129–40. https://doi.org/10.2307/778239. Lewis, Paul. Manual of Section. New York: Princeton Architectural Press, 2016. Lichtarowicz, A. Jet Cutting Technology. Dordrecht; Boston: Kluwer, 1992. Metal Cutting Tool Institute. Metal Cutting Tool Handbook. New York, N.Y.: Published for the United States Cutting Tool Institute by Industrial Press, 1989. Morris, Susan. “Cutting Edge.” Antique Collector 65, no. 6 (1994): 60–63. Nelson, Kirk J. “Chase, Trace and Chisel: The Die-Cutting Mastery of Alvin A. White.” Acorn 2 (1991): 2–40. Tönshoff, H. K., H. Hillmann-Apmann, and J. Asche. “Diamond Tools in Stone and Civil Engineering Industry: Cutting Principles, Wear and Applications.” Diamond and Related Materials, 12th European Conference on Diamond, Diamond- Like Materials, Carbon Nanotubes, Nitrides & Silicon Carbide, 11, no. 3–6 (March 2002): 736–41. https://doi.org/10.1016/S0925-9635(01)00561-1. Trotter, Charlie, Marcus Wareing, Shaun Hill, and Lyn Hall. Knife Skills in the Kitchen. New York, NY: DK Publishing, 2008.

4 Silhouette/Cut Paper Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. Yale University Press, 1980. https://books.google.com/books?hl=en&lr=&id=gFkpS1VsXOcC&oi=fnd&pg=PR13&dq= %22to+other+woods,+but+that+limewood+was+a+central+medium+in+the%22+%22about +special+varnishing+of+sculpture+intended+for+churches+in%22+%22Tilia+cordata)+or+s mallleaved+lime,+which+grows+throughout+the+country,+and%22+&ots=g4chdf5r1j&sig=NnqmQAYIu0xF6cRyYmXZnHoxFA. Bellion, Wendy. “Heads of State: Profiles and Politics in Jeffersonian America.” In New Media, 1740-1915, edited by Lisa Gitelman and Geoffrey B. Pingree, 31–59. Media in Transition. Cambridge, Mass.: MIT Press, 2003. Buchberg, Karl D., Nicholas Cullinan, Jodi Hauptman, Nicholas Serota, Karl D. Buchberg, Nicholas Cullinan, and Jodi Hauptman. Henri Matisse: The Cut-Outs. New York: The Museum Of Modern Art, 2014. Cataldo, Samantha. Deep Cuts: Contemporary Paper Cutting. Currier Museum of Art, 2017. Corridan, Fiona, Natasha Howes, Manchester Art Gallery, Djanogly Art Gallery, and Southampton SeaCity Museum. The First Cut: Paper at the Cutting Edge. Manchester, England: Manchester Art Gallery, 2012. Cowling, Elizabeth. “The Fine Art of Cutting: Picasso’s Papiers Collés and Constructions in 1912-14.” Apollo 142, no. 405 (1995): 10–18. Dumoulin, Gilles. “Du collage au cut-up (1912-1959) Procédures de collage et formes de transmédiation dans la poésie d’avant-garde.” 2012. http://tel.archivesouvertes.fr/docs/00/94/34/54/PDF/ThA_se_-_du_collage_au_cut-up.pdf. Fer, Briony. “The Cut.” In On Abstract Art, 42–107. New Haven and London: Yale University Press, 1997. http://isites.harvard.edu/fs/docs/icb.topic1464332.files/Oct%2030%20Abstraction%20/FerTh eCut.pdf. Harding, James Martin. “Between Material and Matrix: Yoko Ono’s Cut Piece and the Unmaking of Collage.” In Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde, 93–120. Ann Arbor: University of Michigan Press, 2010. Knipe, Penley. “Paper Profiles: American Portrait Silhouettes.” Journal of the American Institute for Conservation 41, no. 3 (2002): 203–23. Lichtman, Flora, and Sharon Shattuck. Animated Life: Coelacanth. Animated Life. Accessed June 28, 2017. https://www.nytimes.com/video/opinion/100000004105667/animated-lifecoelacanth.html. ———. Animated Life: Mary Leakey. Accessed June 28, 2017. https://www.nytimes.com/video/opinion/100000004050688/animated-life-mary-leakey.html. ———. Animated Life: Pangea. Accessed June 28, 2017. https://www.nytimes.com/video/opinion/100000003515124/animated-life-pangaea.html. ———. Seeing the Invisible | Op-Docs | The New York Times, 2014. https://www.youtube.com/watch?v=mTzHxNMK0bU. ———. The Animated Life of A. R. Wallace. Accessed June 28, 2017. https://www.nytimes.com/video/opinion/100000002534565/the-animated-life-of-a-rwallace.html.

5 Lui, Claire. “Running with Scissors.” Print 63, no. 5 (October 2009): 42–47. Paneth-Pollak, Tessa. “Definite Means: Arp’s Cut-Outs, 1911-1930.” Ph.D., Princeton University, 2015. http://search.proquest.com.ezpprod1.hul.harvard.edu/docview/1748610461. Rodari, Florian. Collage: Pasted, Cut, and Torn Papers. New York: Skira/Rizzoli, 1988. Rutherford, Emma, and Lulu Guinness. Silhouette: The Art of the Shadow. New York: Rizzoli, 2009. Shadur, Joseph. Traditional Jewish Papercuts: An Inner World of Art and Symbol. Hanover, NH: University Press of New England, 2002. Shaw, Gwendolyn DuBois. “‘Moses Williams, Cutter of Profiles’: Silhouettes and African American Identity in the Early Republic.” Proceedings of the American Philosophical Society 149, no. 1 (March 2005): 22–39. Smentek, Kristel. “The Collector’s Cut: Why Pierre-Jean Mariette Tore up His Drawings and Put Them Back Together Again.” Master Drawings 46, no. 1 (2008): 36–60. Taylor, Brandon. Collage: The Making of Modern Art. London: Thames & Hudson, 2004. Stone Cutting Bessac, Jean-Claude. L’outillage traditionnel du tailleur de pierre de l’Antiquité à nos jours. Revue archéologique de Narbonnaise. Supplément ; 14. Paris: Editions du Centre national de la recherche scientifique, 1986. Bowles, Oliver. The Technology of Marble Quarrying. Washington: Government Printing Office, 1916. http://hdl.handle.net/2027/uiug.30112106770438. Dake, H. C. The Art of Gem Cutting, Complete. Portland, OR: Mineralogist publishing company, 1945. Guo, Hua. “Rock Cutting Studies Using Fracture Mechanics Principles.” University of Wollongong, 1990. http://ro.uow.edu.au/theses/1262. Hollowell, J. L. Precision Cutting and Fittings of Stone in Prehistoric Andean Walls: ReAssessment of the Fortaleza, Ollantaytambo, Peru. National Geographic Report ; 2832-84. National Geographic, 1987. La Rue, Jean Baptiste de. Traité de la coupe des pierres, ou, Méthode facile et abrégée, pour se perfectionner en cette science. Cicognara library. A Paris: Chez Charles-Antoine Jombert pere, 1764. Nishimatsu, Y. “The Mechanics of Rock Cutting.” International Journal of Rock Mechanics and Mining Sciences & Geomechanics Abstracts 9, no. 2 (1972): 261–70. https://doi.org/10.1016/0148-9062(72)90027-7. Rajan, K., and N. Athiyaman. “Traditional Gemstone Cutting Technology of Kongu Region in Tamil Nadu.” Indian Journal of History of Science 39 (2004): 385–414. Renwick, W. G. Marble and Marble Working; a Handbook for Architects, Sculptors, Marble Quarry Owners and Workers, and All Engaged in the Building and Decorative Industries,. London: Crosby Lockwood and Son, 1909. http://nrs.harvard.edu/urn3:HUL.FIG:003236574. Shadmon, Asher. Stone: An Introduction. 2nd ed. London: Intermediate Technology, 1996. Siebert, John Selmar, and Frederic Child Biggin. Modern Stone-Cutting and Masonry: With Special Reference to the Making of Working Drawings. J. Wiley & Sons, 1896.

6 Warren, Samuel Edward. Problems in Stone Cutting: In Four Classes ... For Students of Engineering and Architecture. J. Wiley and Sons, 1890. Surgery/Medicine Ellis, Harold. The Cambridge Illustrated History of Surgery. Cambridge, UK ; New York: Cambridge University Press, 2009. Erichsen, John Eric. The Science and Art of Surgery: A Treatise on Surgical Injuries, Diseases, and Operations. Philadelphia: Henry CLea’s Son & Co, 1884. http://nrs.harvard.edu/urn3:hul.ebookbatch.IA_batch:006098344. Gawande, Atul. Complications: A Surgeon’s Notes on an Imperfect Science. 1st ed. New York: Metropolitan Books, 2002. Prentice, Rachel. Bodies in Formation: An Ethnography of Anatomy and Surgery Education. Experimental Futures. Durham, NC: Duke University Press, 2013. http://nrs.harvard.edu/urn3:hul.ebook:GEN_418716. ———. “Drilling Surgeons: The Social Lessons of Embodied Surgical Learning.” Science, Technology, & Human Values 32, no. 5 (2007): 534–53. ———. “The Anatomy of a Surgical Simulation The Mutual Articulation of Bodies in and through the Machine.” Social Studies of Science 35, no. 6 (2005): 837–66. https://doi.org/10.1177/0306312705053351. Saunders, Barry F. “Cutting.” In CT Suite: The Work of Diagnosis in the Age of Noninvasive Cutting, 93–129. Durham: Duke University Press, 2008. Vorotyntseva, M. I., and Yu F. Kabatov. “Classification and Terminology of Medical Cutting Instruments.” Biomedical Engineering 4, no. 1 (1970): 10–13. Wangensteen, Owen H. (Owen Harding). The Rise of Surgery: From Empiric Craft to Scientific Discipline. Minneapolis: University of Minnesota Press, 1978.