Skill Development Levels:

Eastern York High School Concert Band

I – Introduce Skill or Concept D – Develop Skill or Concept M – Master Skill or Concept MM – Master and Maintain Skill or Concept

Year-at-a-Glance

NOTE: Skills and Concepts associated with each unit are merged and embedded in every rehearsal, practice session, and/or performance. Through music creation higher order thinking skills are developed. See Blooms Taxonomy



Theme (or Unit Title)

Approx weeks or days

Essential Questions

Musicianship – What musical literacy and syntax skills do I need to play given music examples and/or improvised music on my instrument? Ensemble/Individual Playing Skills – What are the ensemble and individual playing skills that I need to play given music examples and/or improvised music my instrument? Technique – What are the correct techniques needed to play given music examples and/or improvised music on my instrument?

Introduction

How do I properly warm on my instrument in order to properly perform during rehearsal?

Quarter 1

Ensemble/Individual Performance Skills – What ensemble and performance skills do I need to play my instrument (given music examples)? How do I analyze my performance and the group’s performance to improve and/or change the sound? Historical and Cultural Context – What is the cultural and historical context of the music that is being played and how does that effect how we play? Music in Other Subjects – How does the reading and performance of music relate to other Language Arts, Math, and Scientific subjects?

Essential Skills/Concepts to be Targeted

Musicianship – Tone (D), Rhythm (M), Dynamics (D/M), Phrasing (D), Tempo (M), Steady Beat (M) Ensemble/Individual Playing Skills – Balance (D), Blend (I/D), Tuning (D/M), Intonation(D/M), Timing (M), Phrasing (I/D), Expression (I/D) Technique – Breathing (M), Pitch Identification (I/D), Posture/Hand Position (M), Fingering/Sticking (M), Articulation (D/M) Ensemble/Individual Performance Skills – Critical Listening (D/M), Performance/Rehearsal Reflection (D/M), Performance/Rehearsal Evaluation (D/M)

General Rehearsal Procedure –

Assessment Activities

NOTE: Assessment in concert band is based on four equally weighted areas. The specific requirements for high school bands varies slightly per quarter, but all types of assessment can be defined within the parameters of the categories below. 1. Class Attendance/Preparation/Participation Attendance: Arriving with all required materials. Preparation: Level of preparation for rehearsal. Participation: Level of engagement and participation in rehearsal. 2. Lesson Attendance/Preparation/Participation – Attendance: Arriving for the required number of lessons and arriving with all required materials. Preparation: Level of preparation for lessons. Participation: Level of engagement and participation in lessons. 3. Playing Test – Each section of the band is assigned an individual portion of one of the pieces for the closest concert. The playing test is meant to represent the most challenging music that you will be playing throughout the concert. Playing will be scored based on a given rubric. 4. Concert Attendance – Students must attend the required concert and perform with the group in order to receive a full grade.

1. Activating Activity Warm Up

Standards Assessed

Warm Ups –

Musicianship: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G

(Materials meant to break down, introduce concepts, as well as prepare for contextual concepts.)

1. Warm-Up Study Packets (Chromatic, B flat, and Other Necessary Keys)

2. Bach and Before Chorale Books (Multi-part class arranged chorales – Tuning)

3. Eastern York Warm-Up Books (Individualized music, ensemble, and technique activities)

4. Treasury of Scales or Other Scale Studies (Scale and Harmonic Studies)

Concert Rehearsal – (This contains a general outline of educational contexts related to music programing. Program selection will follow the general outline provided below, but must ALSO contain concepts that allow for the development of musicianship, ensemble playing, individual playing, technique, and performance skill listed. Historical or “standard” and other works may be selected based on a curricular rotation)

HOLIDAY SELECTION INTRO. 1.Historical “Standard” 2. Seasonal or Cultural Transcription 3. Seasonal or Cultural Popular Selection 4.Seasonal or Cultural Current Selection 5. March General Materials: Class Instruments

2. Introductory Activity

(Student and School Owned)

Posters and Visuals

3. Concept Activity

(Chords, Solfege, etc.)

Properly Set Stands and Chairs Reference Recordings Piano Tuners

4. Rehearsal Activity No. 1 5. Rehearsal Activity No. 2 6. Rehearsal Activity No. 3

February 28, 2016

Resources

Instructor: Keith Gromis

Ensemble/Individual Playing Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Technique: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Ensemble/Individual Performance Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.E 9.1.12.F 9.1.12.G 9.2.12.A 9.2.12.B 9.2.12.L 9.3.12.A 9.3.12.B National Music Standards: 2. Performing on Instruments 3. Improving Music 4. Composing and Arranging 5. Reading and Notation Music 6. Listen/Analyze/Describe Music 7. Evaluating/Describing Music 8. Music in Other Subjects 9. Music in History and Culture

Musicianship – What musical literacy and syntax skills do I need to play given music examples and/or improvised music on my instrument? Ensemble/Individual Playing Skills – What are the ensemble and individual playing skills that I need to play given music examples and/or improvised music my instrument? Technique – What are the correct techniques needed to play given music examples and/or improvised music on my instrument?

Holiday Concert

How do I properly warm on my instrument in order to properly perform during rehearsal?

Quarter 2

Ensemble/Individual Performance Skills – What ensemble and performance skills do I need to play my instrument (given music examples)? How do I analyze my performance and the group’s performance to improve and/or change the sound? Historical and Cultural Context – What is the cultural and historical context of the music that is being played and how does that effect how we play? Music in Other Subjects – How does the reading and performance of music relate to other Language Arts, Math, and Scientific subjects?

Musicianship – Tone (D), Rhythm (M), Dynamics (D/M), Phrasing (D), Tempo (M), Steady Beat (M) Ensemble/Individual Playing Skills – Balance (D), Blend (I/D), Tuning (D/M), Intonation(D/M), Timing (M), Phrasing (I/D), Expression (I/D) Technique – Breathing (M), Pitch Identification (I/D), Posture/Hand Position (M), Fingering/Sticking (M), Articulation (D/M) Ensemble/Individual Performance Skills – Critical Listening (D/M), Performance/Rehearsal Reflection (D/M), Performance/Rehearsal Evaluation (D/M)

General Rehearsal Procedure –

NOTE: Assessment in concert band is based on four equally weighted areas. The specific requirements for high school bands varies slightly per quarter, but all types of assessment can be defined within the parameters of the categories below. 1. Class Attendance/Preparation/Participation Attendance: Arriving with all required materials. Preparation: Level of preparation for rehearsal. Participation: Level of engagement and participation in rehearsal. 2. Lesson Attendance/Preparation/Participation – Attendance: Arriving for the required number of lessons and arriving with all required materials. Preparation: Level of preparation for lessons. Participation: Level of engagement and participation in lessons. 3. Playing Test – Each section of the band is assigned an individual portion of one of the pieces for the closest concert. The playing test is meant to represent the most challenging music that you will be playing throughout the concert. Playing will be scored based on a given rubric. 4. Concert Attendance – Students must attend the required concert and perform with the group in order to receive a full grade.

1. Activating Activity Warm Up

1. Warm-Up Study Packets (Chromatic, B flat, and Other Necessary Keys)

2. Bach and Before Chorale Books (Multi-part class arranged chorales – Tuning)

3. Williams Valley Warm-Up Books (Individualized music, ensemble, and technique activities)

4. Treasury of Scales or Other Scale Studies (Scale and Harmonic Studies)

Concert Rehearsal – (This contains a general outline of educational contexts related to music programing. Program selection will follow the general outline provided below, but must ALSO contain concepts that allow for the development of musicianship, ensemble playing, individual playing, technique, and performance skill listed. Historical or “standard” and other works may be selected based on a curricular rotation)

HOLIDAY SELECTION CONT. 1.Historical “Standard” 2. Seasonal or Cultural Transcription 3. Seasonal or Cultural Popular Selection 4.Seasonal or Cultural Current Selection 5. March General Materials: Class Instruments

2. Introductory Activity

(Student and School Owned)

Posters and Visuals

3. Concept Activity

(Chords, Solfege, etc.)

Properly Set Stands and Chairs Reference Recordings Piano Tuners

4. Rehearsal Activity No. 1 5. Rehearsal Activity No. 2 6. Rehearsal Activity No. 3

February 28, 2016

Warm Ups – (Materials meant to break down, introduce concepts, as well as prepare for contextual concepts.)

Instructor: Keith Gromis

Musicianship: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G Ensemble/Individual Playing Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Technique: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Ensemble/Individual Performance Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.E 9.1.12.F 9.1.12.G 9.2.12.A 9.2.12.B 9.2.12.L 9.3.12.A 9.3.12.B National Music Standards: 2. Performing on Instruments 3. Improving Music 4. Composing and Arranging 5. Reading and Notation Music 6. Listen/Analyze/Describe Music 7. Evaluating/Describing Music 8. Music in Other Subjects 9. Music in History and Culture

Musicianship – What musical literacy and syntax skills do I need to play given music examples and/or improvised music on my instrument?

Development / Pops Concert

Ensemble/Individual Playing Skills – What are the ensemble and individual playing skills that I need to play given music examples and/or improvised music my instrument? Technique – What are the correct techniques needed to play given music examples and/or improvised music on my instrument? How do I properly warm on my instrument in order to properly perform during rehearsal?

Quarter 3

Ensemble/Individual Performance Skills – What ensemble and performance skills do I need to play my instrument (given music examples)? How do I analyze my performance and the group’s performance to improve and/or change the sound? Historical and Cultural Context – What is the cultural and historical context of the music that is being played and how does that effect how we play? Music in Other Subjects – How does the reading and performance of music relate to other Language Arts, Math, and Scientific subjects?

Musicianship – Tone (D), Rhythm (M), Dynamics (D/M), Phrasing (D), Tempo (M), Steady Beat (M) Ensemble/Individual Playing Skills – Balance (D), Blend (I/D), Tuning (D/M), Intonation(D/M), Timing (M), Phrasing (I/D), Expression (I/D) Technique – Breathing (M), Pitch Identification (I/D), Posture/Hand Position (M), Fingering/Sticking (M), Articulation (D/M) Ensemble/Individual Performance Skills – Critical Listening (D/M), Performance/Rehearsal Reflection (D/M), Performance/Rehearsal Evaluation (D/M)

General Rehearsal Procedure –

NOTE: Assessment in concert band is based on four equally weighted areas. The specific requirements for high school bands varies slightly per quarter, but all types of assessment can be defined within the parameters of the categories below. 1. Class Attendance/Preparation/Participation Attendance: Arriving with all required materials. Preparation: Level of preparation for rehearsal. Participation: Level of engagement and participation in rehearsal. 2. Lesson Attendance/Preparation/Participation – Attendance: Arriving for the required number of lessons and arriving with all required materials. Preparation: Level of preparation for lessons. Participation: Level of engagement and participation in lessons. 3. Playing Test – Each section of the band is assigned an individual portion of one of the pieces for the closest concert. The playing test is meant to represent the most challenging music that you will be playing throughout the concert. Playing will be scored based on a given rubric. 4. Concert Attendance – Students must attend the required concert and perform with the group in order to receive a full grade.

1. Activating Activity Warm Up

1. Warm-Up Study Packets (Chromatic, B flat, and Other Necessary Keys)

2. Bach and Before Chorale Books (Multi-part class arranged chorales – Tuning)

3. Eastern York Warm-Up Books (Individualized music, ensemble, and technique activities)

4. Treasury of Scales or Other Scale Studies (Scale and Harmonic Studies)

Concert Rehearsal – (This contains a general outline of educational contexts related to music programing. Program selection will follow the general outline provided below, but must ALSO contain concepts that allow for the development of musicianship, ensemble playing, individual playing, technique, and performance skill listed. Historical or “standard” and other works may be selected based on a curricular rotation)

1. Current Composition Selection 2. Current Multi-Movement Selection 3. Broadway/Musical Selection 4. Jazz/Big Band Selection 5. Movie Selection 6. Popular “Radio” Selection General Materials: Class Instruments

2. Introductory Activity

(Student and School Owned)

Posters and Visuals

3. Concept Activity

(Chords, Solfege, etc.)

Properly Set Stands and Chairs Reference Recordings Piano Tuners

4. Rehearsal Activity No. 1 5. Rehearsal Activity No. 2 6. Rehearsal Activity No. 3

February 28, 2016

Warm Ups – (Materials meant to break down, introduce concepts, as well as prepare for contextual concepts.)

Instructor: Keith Gromis

Musicianship: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G Ensemble/Individual Playing Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Technique: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Ensemble/Individual Performance Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.E 9.1.12.F 9.1.12.G 9.2.12.A 9.2.12.B 9.2.12.L 9.3.12.A 9.3.12.B National Music Standards: 2. Performing on Instruments 3. Improving Music 4. Composing and Arranging 5. Reading and Notation Music 6. Listen/Analyze/Describe Music 7. Evaluating/Describing Music 8. Music in Other Subjects 9. Music in History and Culture

Musicianship – What musical literacy and syntax skills do I need to play given music examples and/or improvised music on my instrument? Ensemble/Individual Playing Skills – What are the ensemble and individual playing skills that I need to play given music examples and/or improvised music my instrument? Technique – What are the correct techniques needed to play given music examples and/or improvised music on my instrument?

Spring Concert

How do I properly warm on my instrument in order to properly perform during rehearsal?

Quarter 4

Ensemble/Individual Performance Skills – What ensemble and performance skills do I need to play my instrument (given music examples)? How do I analyze my performance and the group’s performance to improve and/or change the sound? Historical and Cultural Context – What is the cultural and historical context of the music that is being played and how does that effect how we play? Music in Other Subjects – How does the reading and performance of music relate to other Language Arts, Math, and Scientific subjects?

Musicianship – Tone (D), Rhythm (M), Dynamics (D/M), Phrasing (D), Tempo (M), Steady Beat (M) Ensemble/Individual Playing Skills – Balance (D), Blend (I/D), Tuning (D/M), Intonation(D/M), Timing (M), Phrasing (I/D), Expression (I/D) Technique – Breathing (M), Pitch Identification (I/D), Posture/Hand Position (M), Fingering/Sticking (M), Articulation (D/M) Ensemble/Individual Performance Skills – Critical Listening (D/M), Performance/Rehearsal Reflection (D/M), Performance/Rehearsal Evaluation (D/M)

General Rehearsal Procedure –

NOTE: Assessment in concert band is based on four equally weighted areas. The specific requirements for high school bands varies slightly per quarter, but all types of assessment can be defined within the parameters of the categories below. 1. Class Attendance/Preparation/Participation Attendance: Arriving with all required materials. Preparation: Level of preparation for rehearsal. Participation: Level of engagement and participation in rehearsal. 2. Lesson Attendance/Preparation/Participation – Attendance: Arriving for the required number of lessons and arriving with all required materials. Preparation: Level of preparation for lessons. Participation: Level of engagement and participation in lessons. 3. Playing Test – Each section of the band is assigned an individual portion of one of the pieces for the closest concert. The playing test is meant to represent the most challenging music that you will be playing throughout the concert. Playing will be scored based on a given rubric. 4. Concert Attendance – Students must attend the required concert and perform with the group in order to receive a full grade.

1. Activating Activity Warm Up

1. Warm-Up Study Packets (Chromatic, B flat, and Other Necessary Keys)

2. Bach and Before Chorale Books (Multi-part class arranged chorales – Tuning)

3. Eastern York Warm-Up Books (Individualized music, ensemble, and technique activities)

4. Treasury of Scales or Other Scale Studies (Scale and Harmonic Studies)

Concert Rehearsal – (This contains a general outline of educational contexts related to music programing. Program selection will follow the general outline provided below, but must ALSO contain concepts that allow for the development of musicianship, ensemble playing, individual playing, technique, and performance skill listed. Historical or “standard” and other works may be selected based on a curricular rotation)

1.Historical “Standard” Selection 2. Transcription 3. Current Composition Selection 4. Multi-Movement Selection 5. Popular Selection 6. March General Materials: Class Instruments

2. Introductory Activity

(Student and School Owned)

Posters and Visuals

3. Concept Activity

(Chords, Solfege, etc.)

Properly Set Stands and Chairs Reference Recordings Piano Tuners

4. Rehearsal Activity No. 1 5. Rehearsal Activity No. 2 6. Rehearsal Activity No. 3

February 28, 2016

Warm Ups – (Materials meant to break down, introduce concepts, as well as prepare for contextual concepts.)

Instructor: Keith Gromis

Musicianship: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G Ensemble/Individual Playing Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Technique: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.G 9.1.12.K Ensemble/Individual Performance Skills: 9.1.12.A 9.1.12.B 9.1.12.C 9.1.12.E 9.1.12.F 9.1.12.G 9.2.12.A 9.2.12.B 9.2.12.L 9.3.12.A 9.3.12.B National Music Standards: 2. Performing on Instruments 3. Improving Music 4. Composing and Arranging 5. Reading and Notation Music 6. Listen/Analyze/Describe Music 7. Evaluating/Describing Music 8. Music in Other Subjects 9. Music in History and Culture

Concert Band - Concert Band.pdf

Feb 28, 2016 - M – Master Skill or Concept. MM – Master and Maintain Skill or Concept. NOTE: Skills and Concepts .... Korea 61% 39%. Infrastructure, roads,. and bridges 80% 20%. 3. Whoops! There was a problem loading this page. Retrying... Concert Band - Concert Band.pdf. Concert Band - Concert Band.pdf. Open.

194KB Sizes 0 Downloads 255 Views

Recommend Documents

Concert Band - Concert Band.pdf
Concert Band - Concert Band.pdf. Concert Band - Concert Band.pdf. Open. Extract. Open with. Sign In. Main menu. Displaying Concert Band - Concert Band.pdf.

Waycross Concert Band Festival
Level IV. Snowbird March-Piersol; Benediction-Stevens; Urban Dances-Morales ... Cold Brook-O'Reilly; Imperium-Sweeney; Hymn and Folkdance-O'Reilly.

CONCERT PROGRAM
algorithmic composition, music focused computer programming, music ... He holds degrees from Loyola University - New Orleans, and the University of New ..... Accelerando was voted #1 Jazz Album of the Year for 2012 in three separate critics ... inter

Concert Band Guidelines 14-15.pdf
There was a problem loading more pages. Retrying... Concert Band Guidelines 14-15.pdf. Concert Band Guidelines 14-15.pdf. Open. Extract. Open with. Sign In.

St Patricks Day Concert
M as t e ſ works & e ſ i e s : Se a so in of So u in d s C on c e ſ S e ſ i e s sº ST. PATRI (; K "Sº DAY Es. M. a rºc h 17 / 6 : 3 O. Texas & t a C. olf C out se D a v i li on.

Winter Concert -
Zenith Brass. Mark Petty, Director. St. Paul's United Methodist Church. 620 Romeo St., Rochester, MI. Handicap Accessible. Free Admission. 248 854 2419 for ...

Concert Review.pdf
Articulations-legato/staccato/accents. Rhythm. Accuracy. Entrances/Cutoffs. Steady Pulse. Musicality. Interpretation & Musicianship. Appropriate sound for style of song. Balance between sections. phrasing and syllabic stress. Diction- understand word

Concert Band.pdf
Apr 11, 2017 - -Black Pants -Tuxedo Shirt. -Solid black Shoes -LONG BLACK socks. -Solid white undershirt. -Cummerbund & Bow tie. 1:45 PM In chairs ready ...

Mozart Requiem - London Concert Choir
11 Nov 2015 - accounts surround the Requiem, Mozart's last work which he left uncompleted at his death in December ... understanding that he was writing his own Funeral Mass; exaggerated accounts that he had fallen out of ..... Square, King's Place,

Mozart Requiem - London Concert Choir
Nov 11, 2015 - Mobiles, Pagers and Watches: please ensure that you switch off your mobile phone and pager, .... the work; falsified letters to state Mozart's premonitions of death and his clear understanding that he ..... Susan won the National Mozar

concert live snoop.pdf
concert live snoop.pdf. concert live snoop.pdf. Open. Extract. Open with. Sign In. Main menu. Displaying concert live snoop.pdf.

7610 Concert Band.pdf
Retrying... Download. Connect more apps... Try one of the apps below to open or edit this item. 7610 Concert Band.pdf. 7610 Concert Band.pdf. Open. Extract.

Akwaba Concert _Kitpress.pdf
jury des 15th Independent Music Awards. USA. / Blues, Acid-jazz, Chanson. http://www.christinagoh.com. Thomas Guéi, maître percussionniste,. compositeur.

A Christmas Invitation-Concert Program.pdf
sober second movement (Look! Look! O man, look at the world you. make) which reflects on Dickens' surprising revelation of Ignorance. and Want under the ...

Die antwoord in concert
Maanikya 2014 720p HDRip x264 Eng. Subs DualAudio ... Storage Warsettv.David allen pdf. ... In only four years, American television ischanging the. ideal of ...

Holiday Concert 2016.pdf
Page 1. Whoops! There was a problem loading more pages. Retrying... Holiday Concert 2016.pdf. Holiday Concert 2016.pdf. Open. Extract. Open with. Sign In.

Features in Concert: Discriminative Feature Selection meets ...
... classifiers (shown as sample images. 1. arXiv:1411.7714v1 [cs.CV] 27 Nov 2014 ...... ImageNet: A large-scale hierarchical im- age database. In CVPR, 2009. 5.

G Day Concert Agreement.pdf
There was a problem previewing this document. Retrying... Download. Connect more apps... Try one of the apps below to open or edit this item. G Day Concert Agreement.pdf. G Day Concert Agreement.pdf. Open. Extract. Open with. Sign In. Main menu.

2018 Spring Concert Schedule.pdf
There was a problem previewing this document. Retrying... Download. Connect more apps... Try one of the apps below to open or edit this item. 2018 Spring Concert Schedule.pdf. 2018 Spring Concert Schedule.pdf. Open. Extract. Open with. Sign In. Main

Winter Concert Flier 2016.pdf
Tickets $10 online in the temeculaprep.com webstore. This performance may sell out, so please buy early! Page 1 of 1. Winter Concert Flier 2016.pdf.

the reunion concert eraserheads.pdf
the reunion concert eraserheads.pdf. the reunion concert eraserheads.pdf. Open. Extract. Open with. Sign In. Main menu. Displaying the reunion concert ...

2014 Spring Concert Program - Complete.pdf
There was a problem loading more pages. Retrying... 2014 Spring Concert Program - Complete.pdf. 2014 Spring Concert Program - Complete.pdf. Open. Extract.

Holiday Concert Schedule 2017.pdf
skirt or dress must be no further than 1 inch from the knee. Symphonic​ ​I. • Boys are required to provide their own white WING COLLAR tuxedo shirt. Available. online for $12.99 HERE. • Boys additionally, will wear RISD-issued tuxedo jacket a