http://www.maggieflaniganstudio.com/acting-classes-nyc/

All​ ​Acting​ ​Schools​ ​Are​ ​Not​ ​the​ ​Same After​ ​all,​ ​in​ ​the​ ​professional​ ​world,​ ​you​ ​will​ ​be​ ​expected​ ​to​ ​act​ ​convincingly​ ​with​ ​models, ex-athletes,​ ​and​ ​even​ ​actors​ ​who​ ​aren’t​ ​very​ ​good​ ​at​ ​acting.​ ​Granted,​ ​these​ ​tiered​ ​systems​ ​are made​ ​so​ ​that​ ​when​ ​you​ ​get​ ​to​ ​the​ ​advanced​ ​level​ ​you​ ​are​ ​showcased​ ​with​ ​“better”​ ​actors,​ ​but​ ​I am​ ​suspicious​ ​that​ ​in​ ​some​ ​cases​ ​these​ ​actors​ ​haven’t​ ​simply​ ​paid​ ​their​ ​financial​ ​dues. In​ ​any​ ​case,​ ​this​ ​tiered​ ​system​ ​can​ ​be​ ​something​ ​to​ ​be​ ​mindful​ ​of.​ ​You​ ​need​ ​to​ ​find​ ​out​ ​how​ ​long it​ ​takes​ ​for​ ​you​ ​to​ ​advance​ ​to​ ​the​ ​next​ ​level,​ ​which​ ​teachers​ ​teach​ ​what​ ​levels​ ​,​ ​what​ ​this​ ​whole process​ ​will​ ​be​ ​worth​ ​to​ ​you,​ ​and​ ​also​ ​what​ ​it​ ​will​ ​cost​ ​you,​ ​both​ ​in​ ​cents​ ​and​ ​sense.

There​ ​is​ ​a​ ​value​ ​to​ ​having​ ​“experienced”​ ​actors​ ​around​ ​you,​ ​meaning​ ​experienced​ ​as​ ​in working,​ ​which​ ​makes​ ​the​ ​question​ ​of​ ​advancement​ ​to​ ​this​ ​level​ ​very​ ​pressing.​ ​It​ ​is​ ​one​ ​thing​ ​to hear​ ​reports​ ​back​ ​on​ ​how​ ​training​ ​has​ ​helped​ ​in​ ​audition​ ​situations,​ ​it​ ​is​ ​another​ ​to​ ​hear​ ​reports from​ ​actual​ ​studio​ ​set-experiences​ ​and​ ​hear​ ​of​ ​the​ ​applicability​ ​of​ ​various​ ​techniques.

http://www.maggieflaniganstudio.com/acting-classes-nyc/ Progress​ ​should​ ​be​ ​quantifiable​ ​as​ ​well.​ ​I​ ​was​ ​recently​ ​auditing​ ​a​ ​class​ ​when​ ​the​ ​teacher​ ​asked, “Anything​ ​new​ ​work-wise?”​ ​It​ ​was​ ​a​ ​room​ ​of​ ​almost​ ​thirty.​ ​They​ ​were​ ​usually​ ​boisterous​ ​when critiquing​ ​each-other’s​ ​work,​ ​but​ ​at​ ​this​ ​moment,​ ​not​ ​a​ ​single​ ​one​ ​of​ ​these​ ​LA​ ​actors​ ​had anything​ ​to​ ​report. No​ ​successful​ ​auditions? Not​ ​a​ ​single​ ​job​ ​landed? No​ ​one​ ​on​ ​“avail”​ ​for​ ​a​ ​commercial​ ​in​ ​Guatemala? This​ ​was​ ​in​ ​a​ ​smaller​ ​but​ ​seemingly​ ​well-regarded​ ​studio,​ ​but​ ​I​ ​also​ ​had​ ​the​ ​same​ ​experience auditing​ ​a​ ​very​ ​well​ ​known​ ​acting​ ​studio,​ ​with​ ​a​ ​teacher​ ​who​ ​drops​ ​the​ ​names​ ​of​ ​his​ ​famous clients​ ​left​ ​and​ ​right.​ ​When​ ​he​ ​asked​ ​the​ ​class​ ​about​ ​“work-news,”​ ​only​ ​one​ ​person​ ​responded that​ ​they​ ​had​ ​a​ ​student​ ​film.​ ​This​ ​was​ ​a​ ​class​ ​of​ ​over​ ​thirty​ ​people.​ ​I​ ​see​ ​this​ ​as​ ​a​ ​giant​ ​red​ ​flag. To​ ​compare,​ ​in​ ​my​ ​class​ ​of​ ​twelve​ ​people​ ​and​ ​under,​ ​nearly​ ​every​ ​person​ ​almost​ ​always​ ​has something​ ​to​ ​report.​ ​People​ ​are​ ​booking,​ ​or​ ​at​ ​least​ ​nearly​ ​booking,​ ​or​ ​they’re​ ​talking​ ​about​ ​the commercial​ ​or​ ​guest​ ​spot​ ​that​ ​just​ ​aired​ ​and​ ​how​ ​they​ ​did​ ​or​ ​didn’t​ ​like​ ​their​ ​performance.​ ​There is​ ​quantifiable​ ​motion,​ ​momentum,​ ​and​ ​most​ ​importantly,​ ​feedback.

A​ ​Studio​ ​that​ ​Boasts​ ​Many​ ​Success​ ​Stories In​ ​my​ ​opinion,​ ​it’s​ ​less​ ​about​ ​how​ ​this​ ​studio​ ​has​ ​taught​ ​Brad​ ​Pitt​ ​or​ ​the​ ​latest​ ​success​ ​stories, and​ ​more​ ​about​ ​the​ ​“little​ ​people​ ​(that’s​ ​you​ ​and​ ​I,​ ​right?).” You​ ​will​ ​have​ ​no​ ​real​ ​way​ ​of​ ​knowing​ ​whether​ ​or​ ​not​ ​the​ ​studio​ ​is​ ​the​ ​reason​ ​that​ ​celebrity​ ​got successful,​ ​or​ ​if​ ​this​ ​studio​ ​was​ ​just​ ​a​ ​passing​ ​point.​ ​Sure,​ ​some​ ​celebrities​ ​continue​ ​to​ ​use these​ ​teachers​ ​and​ ​they​ ​shout​ ​their​ ​praises​ ​to​ ​the​ ​rooftops.​ ​It’s​ ​obviously​ ​working​ ​great​ ​for them,​ ​but​ ​will​ ​it​ ​work​ ​just​ ​as​ ​well​ ​for​ ​you? My​ ​point​ ​is​ ​less​ ​on​ ​the​ ​efficacy​ ​of​ ​these​ ​star​ ​teachers.​ ​I​ ​am​ ​fully​ ​aware​ ​that​ ​some​ ​of​ ​them​ ​are considered​ ​objectively​ ​brilliant.​ ​My​ ​concern​ ​is​ ​not​ ​about​ ​the​ ​teacher,​ ​but​ ​rather​ ​in​ ​how​ ​the​ ​studio is​ ​structured​ ​for​ ​the​ ​new​ ​student​ ​who​ ​has​ ​little​ ​connections,​ ​and​ ​perhaps​ ​little​ ​understanding​ ​of what​ ​good​ ​training​ ​looks​ ​like. If​ ​the​ ​class​ ​has​ ​a​ ​structure​ ​that​ ​makes​ ​it​ ​difficult​ ​to​ ​arrive​ ​to​ ​the​ ​level​ ​where​ ​this​ ​amazing​ ​teacher is,​ ​and​ ​must​ ​slog​ ​through​ ​a​ ​year​ ​or​ ​more​ ​of​ ​paying​ ​high​ ​prices​ ​and​ ​being​ ​taught​ ​by​ ​a​ ​mediocre

http://www.maggieflaniganstudio.com/acting-classes-nyc/ apprentice​ ​teacher,​ ​all​ ​to​ ​pay​ ​his/her​ ​due,​ ​I​ ​am​ ​suspicious.​ ​If​ ​the​ ​structure​ ​of​ ​the​ ​class​ ​means that​ ​you​ ​go​ ​to​ ​class​ ​to​ ​hear​ ​the​ ​teacher​ ​dazzle​ ​everyone​ ​with​ ​stories​ ​and​ ​examples​ ​of​ ​how​ ​deep they​ ​are,​ ​leaving​ ​little​ ​time​ ​for​ ​everyone​ ​to​ ​work​ ​every​ ​class,​ ​I​ ​am​ ​suspicious.​ ​If​ ​the​ ​class​ ​seems to​ ​be​ ​populated​ ​with​ ​a​ ​larger​ ​number​ ​of​ ​actors​ ​who​ ​are​ ​not​ ​showing​ ​tangible​ ​progress​ ​(i.e. working),​ ​I​ ​am​ ​suspicious.

CONTACT​ ​DETAILS:

Maggie​ ​Flanigan​ ​Studio

Website:​ ​http://www.maggieflaniganstudio.com Google​ ​Sites:​ ​http://www.maggieflaniganstudio.com/acting-classes-nyc/ Google​ ​Folder​ ​http://goo.gl/g98CCc Twitter:​ ​https://twitter.com/actingclasses1

Related​ ​Contents: Acting​ ​Classes​ ​Near​ ​Me​ ​NYC Acting​ ​Classes​ ​NYC

http://www.maggieflaniganstudio.com/acting-classes-nyc/

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Acting Schools NYC.pdf

Page 1 of 3. http://www.maggieflaniganstudio.com/acting-classes-nyc/. All Acting Schools Are Not the Same. After all, in the professional world, you will be expected to act convincingly with models,. ex-athletes, and even actors who aren't very good at acting. Granted, these tiered systems are. made so that when you get to ...

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