http://www.maggieflaniganstudio.com/acting-classes-nyc/
Tips for Finding the Right Acting Class First of all, some simplistic market-based economics. Los Angeles has a vast supply of actors, and thusly there is a great demand for acting teachers.
Obvious side note: The entertainment business is a female dog. In conclusion, there is by default a great number of acting teachers who are there for mainly economic reasons. These teachers would never view themselves as failed actors/directors converted into acting teachers but you could really dig into their insecurities by painting them in this (sometimes) unjust light. Ideally, teaching acting, like any artistic profession, is something of a calling. A great teacher is not a failed anything, they have recognized, or others have recognized along the way that they are gifted at nurturing talent in others. Some are directors, some are actors, some are casting directors, or at least that’s how they got started.
http://www.maggieflaniganstudio.com/acting-classes-nyc/ So, how does one select from the vast trove of studios/conservatories? I’m still investigating/pondering this question. Inherently, there is subjectivity in what makes a good acting teacher. Clearly though, there are also some objective success markers for any given studio that is separate from their profitability.
The two common reasons that prospective students choose a certain acting studio are: 1) A friend or colleague highly recommends the studio and tells them how great it’s been for them (Subjective). 2) A studio boasts many success stories; it is well regarded by the industry (Objective(?). Either way, you probably feel like you’re not moving in totally blind. Let’s examine them however. Side note: The ability to audit for free is invaluable, and I would strongly resist the urge to join a class without the ability to first do so. Classes that don’t have free audits usually have either great industry reputations or marketing and don’t need the free audit to get people interested. They also may have other reasons, namely that their studios would be overrun with people auditing because of their popularity, or have people pretending to audit who have other intentions of being there. It makes sense. However, I would really do a lot of research on studios like this and possibly even see if you could pay only for a single class and not have to jump in for a month’s worth of classes before being sure it’s the right fit for you.
The Recommendation from a Friend. Obviously there are random people recommending classes to you, but you are also bound to run into someone whose opinion you really value and trust and take their recommendation with a little more pepper and a little less salt. I see nothing wrong with that, but I do think a practice of trust and verify is recommended. I think it’s really important to talk to this friend/acquaintance and ask them some specific questions about the nature of the class, some of them subjective and some of them more objective. The subjective nature of their transformation is important, but hopefully their
http://www.maggieflaniganstudio.com/acting-classes-nyc/ responses will be intelligible. I am suspicious of blanket statements that it: “just changed the way I act.” or that they: “just feel so much more present.” I believe these things are probably true, but I also believe that most acting classes will do that by virtue of weekly practice. What I’d want to know is specifically how the training and its technique has helped them. Do they have better cold-reading skills? Have they found an approach they can bank on? Do they get business-of-acting advice? What have they specifically learned that they can share?
The more objective realities lie in the make-up of the class. Some classes have a tiered system, separating the “experienced” actors from the “beginners.” I only put these in slightly sarcastic quotations because to me acting shouldn’t be like racing. It shouldn’t make a huge difference where anyone is in their creative process. I’d also make the argument that it can be very helpful to act in a scene with someone who is less experienced.
http://www.maggieflaniganstudio.com/acting-classes-nyc/ Sure, your scene can be less successful, but the practical experience can also be of tremendous value to you. CONTACT DETAILS:
Maggie Flanigan Studio
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